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A Partially Fictional Story of a Dragonfly

October 5, 2016 Earnest Painter

By: André Karwath
File: Sympetrum flaveolum - side

In some ways it's easier to communicate when you're alive. You have a voice, for instance. Hand gestures, facial expressions, these things lend themselves to relaying what you're trying to say, inasmuch as people are willing to listen.

There's the key. That's where you can really take advantage of having passed from human life. I always told everybody that I would come back as a dragonfly. Who knew that would really be an option? So, I make an appearance occasionally to remind the ones I love of who I am. This is SO much more effective. I could talk until I was blue in the face and my friends wouldn't listen. Let me die, and suddenly everything I say is golden. Why? Who knows? Who cares, really? I just take advantage of it.

At first it was ridiculous. For instance, I love Johnny Depp so they had to go rent every Pirates of the Caribbean movie ever produced. And, then cry. Who gives a rat's ass about that now?! Move on. I didn't even like them that much. Or if I did, I stopped once I crossed over. (Okay, maybe I liked Chocolat that much.)

A dear friend of mine has been struggling. I know it; he knows it. The world of fine arts has been turned on its ear and he couldn't navigate the new currents. The internet creeped into every aspect of the art world and suddenly anybody could be an artist at a minimal initial cost. We used to have to have several sets of slides created of our work, to send to galleries and festival promoters - professional slides. Nowadays, everything is submitted online, images are tweaked and the general expectation is much lower. The promoters are making money hand over fist on application fees alone with thousands of applicants. Why should they care any more about how the show runs? Suddenly, all loyalty to the artists who they had worked with for decades was gone, and a new generation of promoters and curators emerged. A somewhat colder, less involved group. We used to be a family of artists, all traveling on a circuit of festivals and galleries, running into each other periodically. Little by little my friends complained that they didn't know anybody any more; that the people they knew weren't there any more. I wasn't alive to see that shift happening; I could only watch from a distance.

I really wanted my dear friend to get in front of the change, though, and take advantage of the new opportunities. They were there, just in different places. The people who were familiar with the new world were the ones who would succeed. But, I had to start slow with him, at his level. He was at a street festival, so as a dragonfly I flew around his jewelry case, then popped out and landed on his foot. I sat there on his foot, slowly fanning my wings. He didn't seem startled or curious, even. He just watched me as I sat there. Eventually, he talked to me. He asked how I was doing, how I liked his art and his new designs. He gave me updates on some of our friends. Me talking to him was the challenge. I wanted to say, "I'm with you. We're going to make it through this together." Just to comfort him at first, then to kick him in the ass to get him moving.

Later, I had to move coins and such to get his attention. I would time my dragonfly appearances when I felt his thoughts were heading the right direction. Just, nudge him into facing the future - turn his head, little by little. Open up his mind to what he could do now, to the possibilities. For a long time he focused on what I had said before, back when we talked about the art world and how to make it. When I was alive, I would encourage him, but I would try to push him as well, to apply to more festivals and galleries. To pay the extra amount for the professional photography because that made all the difference. All of that may have been true then, but times have changed and it's not all true any more. It's difficult to make people change, to see things from a new perspective – especially when they've been doing something so long. In some ways it's easier for me now, though. (Now that I'm no longer among the physically alive.) Why the hell people listen to the dead more than the living is beyond me. I know that's the way it is though, so when I can communicate with him now, everything I say has that much more value.

I don't know how much longer I can do this. I've used twenty dragonflies to channel me so far. I'm a little tired – a spirit kind of tired, not a physical one. I feel like I need to stay around to see my friend through just a little more, but part of me feels like I need to move on. Like, maybe I'm the one who is trying to cling to the past. I keep getting the feeling that I've almost broken through, like I've almost made him hear me... and then I'm back to where I started. Maybe I'll try a wasp. To sting him. Just to take my frustrations out, and for no other reason. I might do that, but no, I won't go anywhere. I'm with him... still with him.

In Art Tags Dragonfly, Life After Death, Artist, Art, Earnie Painter, Rather Earnest Painter, friends, love
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So Many Cats

October 3, 2016 Earnest Painter

Mozart, contemplative

"So, how many cats do you actually have?" I'm asked this question periodically. It's never in a way that is untoward or inappropriate. After coworkers have heard me name more than three cats they begin to wonder. That's natural. We work together and we care about each other, so it's natural to ask about something that I'm obviously interested in. It's not just coworkers, but that's a good example.

The answer? It really depends on who you ask. If you were to ask the two strays who come by the back yard for food, they would probably not count themselves in the roll call. I believe that – because we provide them with food – there are many authorities who would count them as belonging to us. If you were to ask my cat, Carmela, she would say that she was the only cat, because she lives in a make-believe world in which she is just that. (It's a surprise to her - to this very day - when she comes across another cat in the house.)

With the comings and goings of stray cats, feral cats and such, I put the current number at 13. That's shocking, even as I write it. It helps that there are several buildings on the property and the cats are divided among the buildings, with two living permanently outside and three spending just the evenings indoors. But, that's a lot of cats, no matter how you look at it. On top of it all, they are all growing old together. One has diabetes and we give her a shot twice a day. We're just waiting for the next geriatric issue to sprout.

We have finally reached October and the cooler weather this weekend was such a blessing. This morning I sat outside while I drank my coffee and looked at the mist on the field behind the house. All of the cats had been fed, and one or two of them came up to me for me to pet them, then they went on their way. If our dog was still alive I would have taken a walk with him around the field and two or three of the cats would have come with us, exploring the tall grass and trees along the edge of the field. Today the animals could feel as well as I could how beautiful a morning it was, the relief from the summer's heat.

After my coffee I began my day and didn't really keep track of everybody. I took a couple of naps (with cats), did a lot of social media work for myself and for Barry. I had brunch at a local café and took a walk through downtown, looking in at the shops that were open. The temperature only just reached the 80's and that was in the afternoon. Honestly, it could not have been a nicer day if it had tried.

Barry had spent the weekend out of town at an art festival. (I didn't go because one of us needed to give Clarice her shots.) When he got home this evening he put the studio cats inside and then came to ask me if I had seen Mozart recently. I went with him to look for her, and then while he unloaded the truck I looked across the property with a flashlight, through the trees and the grass where the mist had so peacefully lingered only just this morning. 

She's never really very far from home

The shocking thing was that I didn't really know when I had seen her last. As I've mentioned before, I take a medicine that has a certain central nervous system side effect. (It makes me dizzy.) (Thus the naps.) But, it has yet to make me completely lose my mind. I know that I saw her this morning when I let her out of the studio, but I couldn't even remember if she had eaten any of the canned food that I had brought them. All day long I was here, putzing around and I couldn't tell you if I had seen her or not. I generally do, therefore my answer would probably be 'yes'.

Barry, on the other hand, does kittie counts throughout the day. This evening he didn't show any sort of anger or frustration, but he didn't have to. I was projecting all sorts of guilty feelings right onto him. HE would have known the last time he'd seen her. HE brings them a snack in the afternoon to make sure they hang around and don't wander too far. I was beginning to feel very much like a neglectful parent. Never mind that Mozart is a 9-year-old cat and quite capable of taking care of herself. 

And, I couldn't even think of the last time I had seen her. I could honestly have been talked out of believing that I had seen her in the studio this morning. I was beginning to wonder if she had been trapped in one of the other buildings. But, she always screams at us. She is rather demanding of attention and you can't come within 20 feet without her making some vocal demand of your time and affection. So, where could she be? Barry crawled under the house (because that's how any normal American would want to spend their Sunday evening after being out of town all weekend.) After looking around he was fairly certain that she wasn't there. 

Then, after our looking through 2 acres of property in the dark with a flashlight, and up and down the street, Barry came out from under the house and the beam from his flashlight found her under a small palm by the fence. He called her, but she didn't make a sound or move very much. I went to her (getting all sorts of scrapes from the pointy palm fronds) and scooped her up. She didn't even struggle very much. We could tell that she wasn't well. She didn't seem to have any broken bones. Nothing was swollen, so I didn't think a snake or spider bite was likely. We didn't think she was particularly feverish. It was just very uncharacteristic of her to not call out to us and she seemed a little weak. 

Mozart with one of her sons

We took her into the studio and her sons acted normal around her. She ate the canned food with a vengeance, so at least she had an appetite. (There is a bowl full of dry food, by the way. These cats are not starved.) She's had a heart murmur for most of her life, so I was thinking that we had lost her. All things considered, it's probably not long before we do. 

What a day; what a weekend. I went from the enjoying the most beautiful, idyllic day to being wracked with despair and guilt, and then ending up with a touch of melancholy at the fact that our furry little friends have such accelerated lifetimes. Nine years old is actually getting up there for a cat. I tell myself the same thing I tell other people who lose pets: We've given them the best life they could have hoped for. Thinking about it this way helps. But, there is the constant second-guessing myself when something like this happens. I had such blissful naps; was I neglecting Mozart in a time of need? How could I not remember if I had seen her or not? (Answer: I was busy and we have 13 cats.) I don't know what I would have done if I had noticed her absence earlier. (Answer: I would have looked for her and then called Barry.) I am just astounded that parents ever keep their sanity with little human lives in their care.

Sweet dreams

All images in this post are pictures that I had previously taken. All are of Mozart, but none was from this weekend.

In Cats Tags Cats, Melancholy, Geriatric Cats, Rather Earnest Painter
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Odd Shots from an Artist Studio

September 26, 2016 Earnest Painter

A Jeweler's Workbench

We had fun in Barry's studio yesterday with a friend. She is a graphic designer, but she was fascinated by the hands-on experience of a metal-smith's studio. She learned how to press a pattern into metal, how to cut metal, how to make a bead out of gold and how to use a hammer. For my part, I learned how to look at his studio from a different angle. I'm used to seeing these tools laying around, but it's fun to get up close and see the textures. I don't know what life would be like without hearing the clinking of metal and the hiss of a propane torch as a background. The sizzle as a hot piece of metal hits the liquid after he's soldered. These wonders have become a part of my life, and I thought it might be time to revisit. Below are a few pictures to start with.

Soldering bench

Soldering bench

Honeycomb - used in soldering to ventilate

Close-up of a dot - a Barry Pip - on a soldering honeycomb

In Art Tags Barry Perez, Jewelry, Art, Contemporary Art, Rather Earnest Painter, Earnie Painter
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Exploring Spices - Mortar & Pestle

September 24, 2016 Earnest Painter

My marble mortar & pestle

Because my partner is an artist and a jeweler, I have become interested in gemstones and minerals. To that end I finally bought a book on the subject, a new book by DK, the maker of the world's best picture encyclopedias. As I was reading through the metamorphic rock section I read about marble and how it comes to be. Also, I'm very impressionable. So, naturally I had to have a white marble mortar & pestle. 

I've only just begun to play around – after seasoning it. The other day I was going to cook pork chops, so I put kosher salt and peppercorns in the mortar and ground them up, then added some cumin seeds. After that was all ground up I added some garlic cloves. Once I got all of that mushed together I added a bit of vinegar and some cooking oil to hold it together.

Most of the ingredients

The smell was intoxicating. Even just the pepper was making me salivate (and not sneeze!), then when I added the cumin and garlic it was all I could do to not lick the stuff off of the pestle. Who knew that doing spices this way could be so much more aromatic?

I spread this onto the pork chops and let them sit in the fridge for a couple of hours before cooking them. It was amazing. I mean, it was going to be heavenly anyway because it was a pork chop, but the pepper was alive in my mouth and the garlic and cumin just hit the spot. I will definitely have to explore more spices. I'm sure some jalapeños will kick it up a notch. This little gadget really made a difference. Who knew? And, it was SO much fun to do it.

There, now you need a mortar & pestle as well. Or, you need to break out the molcajete that has been sitting on your shelf as decoration. Do it. Have fun. Cook. Let me know how it turns out in the comment section below.

And thank you for reading.

Tags Mortar & Pestle, Cooking, Molcajete, Earnie Painter
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Cat Life

September 21, 2016 Earnest Painter

Our cats instinctively add to the artwork and to the overall composition of our home.

In Cats Tags Cats, art, Rather Earnest Painter, Earnie Painter, Composition
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